If you go and see this show — and you truly should, for it is beautiful and fresh and a work of reconciliation — you’ll never again travel through Albany Park without turning your head and looking up anew at its windows.

“The movement in the show, Ms. Willett said, evolved through a constant paring down to essentials: “When it didn’t feel like choreography anymore, that’s when we knew, O.K., this is what it should be–when you forget that the characters are dancing, because that’s just what they do, and you wouldn’t expect them to do anything else.”

“This show occupies a dreamscape where the judgements and classifications of the waking mind are inoperative, and where the single self keeps splitting and blurring.”

“...a heightened form of people-watching. In the wordlessness of its small dramas and romances, we get to fill in the blanks.”

“… a spectral tour of the hoary legends, superstitions and rituals that remain sacrosanct in the hearts of even the most jaded playmakers… this production traffics in, and transcends, the enduring clichés of a profession, finding a hypnotic circularity in a craft that is, after all, about recreating the same images and words night after night after night.”

“…the type of interactive show that should be replicated in every theater town in the country with a yen to take audiences by the hands- literally- and remind them of what the stage can do that no other entertainment platform can.”

“…an every-couple-of-years overnight adventure that forces teams of (mostly) finance folks to criss-cross the city as they track down clues, solve puzzles, and unwittingly take part in what may be the largest and most ambitious immersive theater production the city has ever seen.”

“…this interactive tour of an imaginary Floridian pleasure palace from the 1970s manages to summon romantic promise and regretful retrospection in a single, ocean-air breath.”

“… embraces the symbolic, the inner life of the kid, the deeper context …the biggest takeaway of all about ‘Learning Curve’ is just how many curveballs adults throw in the way of actual learning, even though the faces you see in this show are upturned with determination, talent and ambition.”

“…an abandoned parochial school in Chicago’s Logan Square neighborhood becomes the setting for a site-specific show that takes audiences all over the building and into the heart of what it means to negotiate the contested territory of public education in America.”

“…the choreography takes everyday impulses and makes them lyrically potent.”

“This is what happens when Third Rail comes to visit.”

“…charmingly relaxed from the opening moments, when Jennine Willett dances alone, with quick earthy movements…”